You go ahead and fill the blanks here if you must, but things don’t go well when Dom goes inside said ramshackled building. The final dare he must perform is entering the old farmhouse deep in the forest. Dom is wandering the woods, when he meets four other kids and agrees to be initiated into their group. Here we see a boy named Dom (Mitchell Norman) at an RV campsite with his parents who aren’t exactly getting along. It makes for a surprisingly good thriller.Īs the four victims piece things together, we reach to the past for the B-plot. In writer-director Giles Alderson’s The Dare, the audience is made to reconcile the past and the present. Who was the attacker? Why are the four trapped in this room together? These questions are interrupted as their burly captor (Robert Maaser) breaks the monotony by coming in to demand they torture one another. Jay wakes up in a room with three other strangers, each of them tethered to the wall by a single corded handcuff. Jay (Bart Edwards) is getting his kids ready for bed when a masked intruder invades the home. The Dare starts off with a great cold open.
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